Necklace design

As artists and designers we work on, evolve and many a times reject an idea before we can create something that is worthy of being, just created.  It is true the outside world only sees the fabulous finished products which would be only 50% of the our actual trials and perhaps imagine us to be extremely creative masterminds who can churn out workable and wonderful ideas but the minute. Only us and maybe our family members, see the hundreds of trials, UFOs and experiments that we create in the process. This design methodology is the Iteration process, used commonly in Design.
Let me recount a tale of the evolution of necklace design that I remade 4 times (attempted to make atleast 15 – 20 times) before it has reached its final avatar.

Evolution of a Necklace design

 The Story of a blue and yellow Necklace

It all started when I got a strand of Lapis Lazuli and Tiger eye beads and wanted to loop them to together into a necklace. It remained as a simple looped bead – tassel necklace for a couple of months adorning the statue of my favourite God, Narasimha. I never got around to taking a picture of it as I thought I would take one before/while wearing it.

 I never got to wear it! nor did I sell it!!

Blue and yellow Necklace – Take Two

Then the Stringing jewelry guidelines for Winter 2017 were out and one of the stories was Earth Form which required us to create a necklace inspired by nature’s four elements: water, earth, air, and fire. We had to use colors like gray blue, yellow ochre and mineral blue and rough cut gemstones and earthy gemstone beads. My eyes were immediately drawn to this necklace and I proceed to take it apart to create one that would suit this theme.
After many trials and many hours trying to work with the existing and new beads I came up with the second design. It was slightly asymmetrical and with a pop of color just like how editors like it. It was ready to go with the creators note.

I let it be for a few days before I took it apart again. Why? because I thought that I should practice what I teach. There was no unity or harmony in the piece and I knew better than to send it. When two of the five principles of design go missing in a design, you shouldn’t wait for somebody else to tell you that it is a bad design. So I went back to my computer and looked at loads of inspiration images and read the brief more than 20 times. It was then that I realised that I had rough cut sapphire connectors with me that I could use.

lapis lazuli tiger eye necklace

Necklace Design – Take Three

I removed all the tiger eye beads and blue glass briolettes and replaced them frosted glass spacers, faceted clear glass and crystal beads and dyed agate beads. As an ode to my first version of the design, I added some chain as a tassels and was  happy with how it turned out. It was rhythmic, balanced asymmetrically, fluid and had movement in it, had a focal point of emphasis and had come together as one design despite all the different colors, materials, and textures.  I quickly sent it to the editor of JS along with 2 other designs (for other themes) feeling quite pleased with myself.

earth form sapphire necklace

I was sure that it would get selected – but it didn’t, while another design was selected for the Winter wonderland theme. Needless to say, I was a bit disappointed that after so many trials I couldn’t make a piece that got an editor’s approval. Feeling bitter, I chucked it to the bottom of my bead bag, as I knew that with the expensive sapphire connectors I could never sell it in India. You see, I was just coming off a publishing high, two of my designs had been published in the Jewelry stringing Summer issue after years of trying and I wanted to continue riding the high tide for as long as I could.

Evolution of the Necklace design

I was working on my Festive 2016 collection, and playing around with materials from another necklace. I stumbled upon the pendant of Sakuntala (image create during my Chithiram collection in 2012). After a dash of resin, I felt that it looked really great and thought that my blue – yellow necklace would work well with it. That is how the Lapis – Tiger eye tassel necklace came to be the Forlorn sakuntala necklace.
Hopefully, the beads will live together happily ever after under the care of a proud new owner.

I hope you found it interesting
Cheers

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11 responses to “Necklace design”

  1. Michelle L. avatar

    What a great post, really! I feel all the highs and lows you described when things are remade and re-thought. I loved the one that didn't get into the magazine! The final necklace is beautiful, perfect with that pendant. I'm sure you'll find a new way to use those gorgeous sapphires.

  2. bairozan avatar

    We all know what you're talking about! And you have described the process and doubts and satisfaction/dissatisfaction so well!

  3. Divya N avatar

    I have been wanting to write on this topic for almost an year now, and finally, instigated by the fact that design publications are becoming a rare entity and the design world more competitive I wrote it.

  4. Divya N avatar

    Thanks Mich, Self criticism to an extent is healthy and required to help better oneself. On a daily basis I meet students who in their naivety or due to ego issues are unable to accept that rejections are a part of life and feel that their life spins out of control when it happens

  5. Karin G avatar

    Great post Divya and your final piece is gorgeous!

  6. Divya N avatar

    Thanks Karin, I am looking forward to selling it

  7. Maya Kuzman avatar

    I love every single piece in this post and I wouldn't be discouraged, by not winning the editor's eye. You know you have excellent jewelry and continue living your dreams!

  8. shanon gibbs avatar

    Thank you for writing this, I totally understand everything you said and its so true, one of the joys? of designing a piece is the relative ease to change or fix an error. My friends call me the "rip out queen", because if it doesn't look right, I have to fix it. Your final design is stunning.

  9. Divya N avatar

    I think that the best part of being a teacher is that you are not discouraged by criticism and keep on trying to be the best that we can be, which I am sure you would have experienced in your life too

  10. Divya N avatar

    I was the fastest at ripping garment seams when I was a students so I can really connect to what to say and mean. But when it comes to aesthetics and not just function, its quite hard to figure out what to do. Because sometimes what you personally might not like may be the one that sells first

  11. […] have to critique yourself and constantly edit to make sure that it meets the standards of a good necklace design.  Also unlike in earrings you don’t have to match shapes or sizes or that two pieces are […]

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