Whenever I show the pieces that I made at Beadfest to my relatives, they ask with wonderment – “How did you make so much in four days?” My answer was and is that after years of instructing students to concentrate in class, I took my own advice and applied it to the workshops. Still, I too was amazed to see how much one can accomplish with hard work. But it wouldn’t have been possible if I didn’t have wonderful and generous instructors. I spoke about Jean Breaderoe and Marti Brown in the part one of the Beadfest post. In this post, I would like to share my experiences of the other two workshops that I attended with Richard Salley and Lisel Crowley.
Day 3: Stacking Stones
When I was selecting workshops to attend, I was very particularly that I learn at least 4 different skills. I chose metal as my common link and wanted to pick one metal clay, one coloring or patina, one bezel setting and an another class for some extra soldering input. I kept changing the classes to fit into the available time, skill level and their affordability. But, however, I chose I kept coming back to the stacking stones class by Richard Salley. His pieces looked so chunky and store bought (meaning so well made that it could be casted using a machine mould) I backed off thinking that I don’t have enough soldering experience to do justice to it and then he wanted us to bring tools. How was I going to carry saw blades and hammers on an international flight? Finally, I summoned up some courage and wrote to him. He was very sweet and offered to teach me if I was interested. Ofcourse, I was interested! He stayed true to his word at the workshop and taught me very patiently, calling me “Little girl” all the while 🙂
In a few hours, I learned how to size a cab, drill a hole in an agate cab (it was super hard!!), make a bezel, saw the backplate, make silver balls, rivets stones, set a stone, and solder a ring base to the bezel. I did that all at one shot for the first time. My very first bezel was a perfect fit for the stone OMG!! Though I melted one of the silver beads during the final solder and had a normal redo with the riveting (flaring) the turquoise stone setting to agate, the ring turned out to be pretty decent.
I was super thrilled that I bought more silver from him to try and set a chunky lapis lazuli cab that I had bought in Mt.Abu in 2012. Then disaster struck at every stage, I melted the bezel wire, burnt away silver beads and my base plate became shapeless. How much ever I tried I couldn’t fix it, even after Richard taught me how. By this time, even those participants who were trying complicated cutouts for their first piece had finished them and left. But Richard was extremely patient, and he fixed the bezel for me and showed me how to smooth a setting over a large stone. The “D” is slightly tilted and the texturing has flared out the metal in a couple of placesbut overall I am happy with it. So I patina-ed and sealed it after coming home but I am yet to string it.
Day Four – Romancing the Stone
On the final day I took up he Precious metal clay class with the PMC queen Lisel Crowley.I am not a clay person to begin with, so I took up this class to challenge myself knowing fully well that I will not be working with PMC anytime in the near future as its very expensive and I don’t have a kiln to fire my pieces in. As expected I didn’t enjoy this class much.My clay was extremely dry and it had to be reconditioned many times and I had to redo my bezel over 5 times as it kept cracking. Also the stone that I initially picked turned out to be too big for the amount of clay that we were given so I had to change my design as well. But somehow I figured things out and made one Art Nouveau style vine pendant and another mini charm using a cubic zirconia stone that I had with me and scraps of leftover clay.
I did learn a lot about what not to do with clay in this class – like, if you want a textured impression at the back plate then you must be careful during the final cleanup before firing and you must not sand after dehydrating but after firing. I also found that cold hands like mine are actually an advantage when working with PMC.
I brushed it clean, patinaed and sealed this piece after I came back but I am yet to string it or wear it. I like the fact that it is quite heavy and looks like an antique heirloom (probably worn by some medieval princess)
I cannot conclude writing about my beadfest experiences without mentioning all the wonderful people I met there. Everyone was so friendly and even extra nice when they found out that I had come all the way from India. It was a wonderful fan girl moment when I clicked a selfie with the Susan Lenart Kazmer of Ice Resin and Justin Russo of Ranger inks. I cannot forget the ever helpful Ellie who manned Beadfest’s FB page and answered all my queries patiently.
On the second day after the niobium I met Lori Schneider and Robin Showstack who stayed with me as roommates for the rest of the fest. It was so much fun being with them – listening to their stories, learning from their experiences and at night showing off each others haul of the day. I have never stayed with or even spent a lot of time with people (in person of course, nah, Social media doesn’t count!) who share my love for all things jewelry in a very long time. Thank you guys for making my beadfest trip very enjoyable and memorable. If I ever get an opportunity to attend beadfest or a similar event with beads and jewelry I would definitely be there. It the meanwhile I need to work on my completely diminished physical health and slightly shaky financialhealth and get back to normal boring life. I hope you found it interesting Cheers
Hi Divya, it is said there is no substitute for hard work, when I read I see the hard work that has gone behind your work. All the very best, take good care of your health.
Divya, I applaud your determination to expend your knowledge and master some new skills. The last clay piece you made is astonishingly gorgeous! I. love. it!
I love all the pieces you made Divya, but you already knew that! The stones you set and the PMC piece is MAGNIFICENT! I can't wait to see how you string those pieces up! It was so much fun, even eating at that restaurant that took our orders and then forgot about us-LOL! I hope one day to do it all again!
These are so valuable experiences, so good for you! I love the pieces. Some of the evening classes I take I know I will never practice, not in near future at least. But these skills are so valuable and high level that I hope you find a way to use them.
I looked at these classes like how I would look at a long term bank deposit – ones that would be useful someday. Of all the four I really enjoyed enamelling and surely want to take it up professionally someday
[…] Beadfest Summer 2016 happened at Oaks, Pennsylvania, near Philadelphia. From King of Prussia (where I stayed at) I had to go through the valley Forge park to get to Audoban and Oaks. The first morning I was pretty scared, for the route looked like a hill station roa d- completely green and devoid of houses or stores for a few miles but then slowly I began to enjoy it for it is impossible to find such beautiful trails in Chennai. So coming back to the workshops – I had such fantastic learning and so many experiences in four days that I cannot do it justice by by cramming it all into one post. Hence in this post I am going to only talk about the first two workshops. Find the part two of this post here […]
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